{"id":2504,"date":"2021-03-03T23:08:29","date_gmt":"2021-03-03T22:08:29","guid":{"rendered":"http:\/\/www.pringueycessac-charlotte.com\/site\/?page_id=2504"},"modified":"2025-07-16T19:35:37","modified_gmt":"2025-07-16T17:35:37","slug":"projet-bruit-originaire","status":"publish","type":"page","link":"http:\/\/www.pringueycessac-charlotte.com\/site\/projet-bruit-originaire\/","title":{"rendered":"Projet Bruit originaire"},"content":{"rendered":"\n

BRUIT ORIGINAIRE<\/strong><\/p>\n\n\n\n

Retour<\/a><\/strong><\/p>\n\n\n\n

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Terra Amata<\/a><\/strong><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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MAMAC<\/a><\/strong><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Galerie Eva Vautier<\/a><\/strong><\/strong><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n
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Bruit originaire<\/strong><\/p>\n\n\n\n

Bruit originaire <\/em>est une invitation \u00e0 un voyage dans le temps, des premi\u00e8res traces d\u2019occupation humaine \u00e0 Nice il y a 400 000 ans et du t\u00e9moignage des pierres taill\u00e9es laiss\u00e9es par cette communaut\u00e9, aux exp\u00e9riences men\u00e9es aujourd\u2019hui par l\u2019artiste Charlotte Pringuey Cessac pour convoquer la m\u00e9moire vibrante de ces vies pass\u00e9es.
La pr\u00e9histoire, les outils et m\u00e9thodologies de l\u2019arch\u00e9ologie constituent une source pour son travail, une mati\u00e8re \u00e0 partir de laquelle elle tisse des exp\u00e9riences et des r\u00e9cits, s\u2019autorisant des vagabondages entre la science et la licence po\u00e9tique, la trace laiss\u00e9e par l\u2019histoire et sa r\u00e9invention contemporaine.
Pens\u00e9e comme un parcours, son exposition \u00e0 Nice se d\u00e9ploie du mus\u00e9e de Pr\u00e9histoire de Terra Amata, \u00e9picentre de l\u2019activit\u00e9 de ces premiers hommes, au MAMAC, en passant par la colline du ch\u00e2teau o\u00f9, en 2013, fut d\u00e9couverte une s\u00e9pulture peupl\u00e9e de restes fun\u00e9raires datant des XIIe et XIIIe si\u00e8cles.
Cette promenade \u00e0 travers les si\u00e8cles s\u2019articule autour de l\u2019id\u00e9e d\u2019un Bruit originaire, expression emprunt\u00e9e au po\u00e8te Rainer Maria Rilke. Apr\u00e8s qu\u2019il ait d\u00e9couvert avec \u00e9merveillement le potentiel des premiers phonographes, il r\u00eave \u00e0 \u00ab une chose inou\u00efe \u00bb : \u00ab mettre en sons les signatures innombrables de la cr\u00e9ation qui durent dans le squelette, dans la pierre, (\u2026), la fissure dans le bois, la d\u00e9marche d\u2019un insecte \u00bb, et entendre la m\u00e9moire d\u2019un \u00eatre disparu en parcourant les sillons du cr\u00e2ne avec l\u2019appareil\u2026 Entre pens\u00e9e romantique et fantasme d\u00e9miurgique, cette aspiration de Rilke \u00e0 r\u00e9-animer l\u2019absence, est un fil conducteur de la proposition de Charlotte Pringuey Cessac.
La convocation d\u2019un monde r\u00e9volu, le dialogue intime avec les t\u00e9moins du pass\u00e9 et la pens\u00e9e magique dont elle investit ce qui semble inerte, dessinent une ode sensible \u00e0 la m\u00e9moire et aux bruissements de ce qui n\u2019est plus : nos origines.<\/p>\n\n\n\n

H\u00e9l\u00e8ne Guenin<\/p>\n\n\n\n

Primal Sound <\/strong><\/p>\n\n\n\n

Primal Sound<\/em> is an invitation to a time travel, from the first pieces of evidence of human life in Nice 400 000 years ago, and from the testimony of cut stones left behind by this group, until the experiences led today by the artist Charlotte Pringuey Cessac to summon the vibrant memory of those past lives.
Prehistory, methodology and tools used by archaeology, constitute a basis for her work, a material out of which she develops experiences and tales, allowing herself to wander between science and poetic licence, the print left by history and its contemporary reinvention.
Thought as a journey, her exhibition in Nice unfolds from the Prehistory museum of Terra Amata, epicentre of the activity of these first humans, to MAMAC, including la \u201cColline du Ch\u00e2teau\u201d where a burial dating from the XIIth and XIIIth centuries filled with funerary remains was discovered in 2013.
This journey through centuries is based on the idea of a Primal Sound an expression borrowed from the poet Rainer Maria Rilke. After he discovered with wonder the potential of the first phonographs, he dreamt about an \u00ab amazing thing \u00bb: \u00ab to put into sounds the countless signatures of creation that last in the skeleton, in the stone, (\u2026), the crack in the wood, the walk of an insect \u00ab .
The reminiscence of a past world, the intimate dialogue with the witnesses of the past and the magical thought she invests in what seems inert, draw an ode which is sensitive to the memory and the rustling of what is no longer: our origins.<\/p>\n\n\n\n

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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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Solo show \u00e0 Nice
du 5 d\u00e9cembre 2019
au 17 mai 2020 <\/p>\n\n\n\n

PARTENAIRES
Le projet Bruit Originaire est soutenu par la DRAC \nPACA, la VIlle de Nice : Mamac et Terra Amata ; la Galerie Eva Vautier ;\n L\u2019Ecole d\u2019Art C\u00e9ramique de Vallauris ; le Service Arch\u00e9ologique Nice \nM\u00e9tropole C\u00f4te d\u2019Azur ; les laboratoires du CNRS : Mod\u00e8les et \nsimulations pour l\u2019architecture et le patrimoine, et le Laboratoire de \nm\u00e9canique acoustique \u00e0 Marseille ; le fablab Easyc\u00e9ram de Limoges ; La \nforesti\u00e8re du nord ; le Centre international d\u2019art verrier de Meisenthal\n et la Ville de Versailles. <\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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